I once faced a choice: art or music. I chose to paint and later adopted a digital form of drawing. Yet I never let go of the manuscripts that first moved me. Today I preserve Classical music in colour — translating rhythm, melody, and structure into a visual language that keeps the music alive.

Each note is assigned a distinct hue, each band of colour reflecting pitch and duration. My works emerge as rhythmic, layered compositions — systematic in construction, yet expressive in effect.

The medium is ChromaLuxe, a high-definition metal print that amplifies depth and luminosity. It creates an immersive surface that vibrates with light and colour, lifting the image beyond the flatness of the 2D plane.

Viewers engage differently: some trace bands and shapes while listening to the music; others connect solely through the palette, drawn in by the vibrant array of colours, experiencing an emotional shift.

Having completed my collaborations with São Rafael Galleries - from the Art Biennale to the Haute Couture Boat - I’m now embracing a new chapter. My Portrait Series returns to physical paint, capturing musical personalities with romantic nuance while weaving in the colour-field sensibility of earlier works like Prelude in E Minor.

My work strives to make music visible - not just a sound to be heard, but a form to be seen and felt.

If you’d like to follow this journey, receive updates, and preview new work early, you’re warmly invited to join my “Drawing Music” list (see below).

Thank you for being here. Let the colours speak what the ear cannot always hear.