Framed 44 cm x 34 cm
Digitally Printed on ChromaLuxe
A visual translation of a musical composition by Doug Thomas, Ritmitekton 4: SOH is part of a five-part series exploring architectural techniques in music. The series draws strong influence from György Ligeti’s Musica Ricercata, blending compositional structure with spatial form. This piece, named after the Sydney Opera House, continues that conversation, where rhythm becomes architecture and music takes on physical shape.
Geometric pods rise like sculptural stelae, echoing both the iconic sails of the Opera House and the storytelling surfaces of ancient monuments. In this fusion, sound and structure become one.
The palette is bold and kinetic - vivid pinks, oranges, yellows, and purples pulse with the energy of 1980s computer audio. Each colour is chosen with intention: pink nods to its rarity in ancient cultures; golds and oranges evoke timeless elegance and the enduring resonance of sound and form.
Framed 44 cm x 34 cm
Digitally Printed on ChromaLuxe
A visual translation of a musical composition by Doug Thomas, Ritmitekton 4: SOH is part of a five-part series exploring architectural techniques in music. The series draws strong influence from György Ligeti’s Musica Ricercata, blending compositional structure with spatial form. This piece, named after the Sydney Opera House, continues that conversation, where rhythm becomes architecture and music takes on physical shape.
Geometric pods rise like sculptural stelae, echoing both the iconic sails of the Opera House and the storytelling surfaces of ancient monuments. In this fusion, sound and structure become one.
The palette is bold and kinetic - vivid pinks, oranges, yellows, and purples pulse with the energy of 1980s computer audio. Each colour is chosen with intention: pink nods to its rarity in ancient cultures; golds and oranges evoke timeless elegance and the enduring resonance of sound and form.
